I entered the world of hand painting of the comic, in fact, my early work with 16 or 17 years were as an artist. A year later, in the Faculty of Fine Arts, I discovered a vocation as a painter with my facets of illustrator and graphic designer, have not stopped with me since 1984.

These aspects have played a role importate in the path of my work, because they are highly interrelated and at times seems indistinguishable from each other. Because of this I clean design on the bill of my work and painting the building and incorporate any element to advertising, in terms of illustration, I incorporate the best of the other two disciplines can work first on the traditional and then treating digitally for presentation in any form.

I could talk about the styles that have grown, or teachers who have been my inspiration, (not a few, of course). You could also do exhibitions, both group and solo in which I participated, but that's just curriculum. And I'm here to tell what I did but why he did, and still do now.

There are people who can do a lot of things in this life. I only know to create, not ask me to fix a pipe or changing the oil in my car, because I know and though I try, I never will either. The establishment occupies a part of my life, so great that I can not spend even one day if you conceive of something that escapes beyond our physical borders. and my paintings is a reflection of that.

I have varied at different stages of styles depending not only the message but the fact that I had to live. but all she ever come to light several issues: loneliness, duality, isolation in a world that sometimes I admit but not always understand, love (in many of my works are references to both graphics and subliminal) females. Adventure. All these issues are a constant in my work.